Kulots 1960's
Chapter 5.Constructivism - Free download as Word Doc (.doc), PDF File (.pdf), Text File (.txt) or read online for free. Popularity of The Birth of a Nation, and specifically its appearance in Atlanta in December 1915, proved the major impetus for the reemergence of the Klan. Equally significant was the Leo Frank case, which culminated in his August 1915 lynching in Marietta by a group of armed men who had organized themselves as the Knights of Mary Phagan, named for the young murder victim in the case. Tarugong kulots, sori, iho. Hindi na kasi ako umiinom, eh. Bawal na sa akin ang alak. Pinagbawalan ko na ang aking sarili na huwag iinom kung walang pulutan dahil mahirap ‘yung puro alkohol ang laman ng tiyan. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Liberty Joy Chua is on Facebook. Join Facebook to connect with Liberty Joy Chua and others you may know. Facebook gives people the power to share and makes the world more open and connected.
As agricultural machinery spread rapidly, Kubota continued to strengthen communication with agents and dealers, but also set out to reconstruct the sales network.
The agricultural machinery industry had traditionally been split into two major groups: the manufacturers of engines for agricultural machinery, and the manufacturers of implements such as threshers and hullers. Sales outlets for agricultural machinery sold products from each of the groups, so it was usual for traders to be dealers for two different manufacturers.
The company proceeded to advance the lineup of implements, as well as develop exclusive Kubota dealers. Additionally, in order to create an even more powerful sales network, the company aimed to establish group dealerships with the principle that there should be one large dealership in each prefecture, by combining existing dealerships and by injecting company capital.
As a result, the Asahikawa Kubota Agricultural Machinery Sales Co., Ltd. and three other companies were established in 1961, and a total of 47 companies were created throughout the country by 1965.
Founded in 1985, Kulintang Arts, Inc., now known popularly as Kularts, is the premier presenter of contemporary and tribal Pilipino arts in the United States. Through our three decades of service, Kularts has grown into a leading elder arts organization, uniting generations of artists and community activists in a common effort to build a collective space and sense of belonging within our city, specifically the SOMA Pilipinas: Filipino Cultural Heritage District. Kularts creates work that makes visible the contributions of Pilipino Americans and creates room for cultural continuity and knowledge.
The founders, musician Robert L. Henry, dancer Marcella Pabros, and choreographer/director Alleluia Panis chose 'kulintang' in honor of the ancient music tradition of Mindanao, Philippines. Its first office and rehearsal space was in the South of Market Cultural Center in San Francisco.
Kulintang Arts's primary program was the work of Kulintang Arts Ensemble (KAE), a ten-member music and dance ensemble which presented contemporary work rooted in the indigenous Filipino traditions. Danongan Kalanduyan, a musician from the Southern Philippines, was KAE's resident artist and kulintang music director/instructor (1985-88). KAE members included Musiban Guiabar, Frank Holder, Joey Maliga, Dana Nuñez, Anna Sun Foo, Frances Cachapero, Ric Serrano, Joshua Francisco, Daniel Giray, Sharon Sato, Jesse Bie, among others. Panis choreographed full-evening works: Ancient Rhythms/Urban Sounds (1988); Lm' Ehek: at the heART of the sharpenINg stONE (1989); Cycles: Timeless Rituals to Ancient Icons (1990); and Diwata (1993).
KAE performed at the San Francisco Ethnic Dance Festival from 1985 to 1990 and toured nationally and internationally; including the Dance Theater Workshop, New York; Lincoln Center, New York City; the Kennedy Center; the Bumbershoot Festival, Seattle; the Verona Jazz Festival, Italy; the Baguio Arts Festival, Philippines; and the Asian Arts Festival, Singapore. KAE Music recordings include Fred Ho's 1988 album A Song For Manong, originally released by Asian Improv. Recordings released by Kulintang Arts Inc. include Ancient Rhythms/Urban Sounds; Kulintang Arts Live! In Concert with Jon Jang; and Cycles: Timeless Rituals to Ancient Icons.
Kulintang Arts Ensemble (KAE): 1989 Cotabato City, Philippines
